Yesterday I spoke to primary school students at Westwood International School in Gaborone all about writing. It's my third year in a row. The class I'm speaking to in this picture were the younger of the two I had this year, but they were very enthusiastic asking lots of questions and then afterward asking me to sign little slips of paper for them. It was very sweet. Writings and thoughts from Motswana writer, Lauri Kubuitsile
Wednesday, March 31, 2010
Author Talks
Yesterday I spoke to primary school students at Westwood International School in Gaborone all about writing. It's my third year in a row. The class I'm speaking to in this picture were the younger of the two I had this year, but they were very enthusiastic asking lots of questions and then afterward asking me to sign little slips of paper for them. It was very sweet. Monday, March 29, 2010
How Emotional Do You Get?
But that is not what this post is about though. That will be for another day.
I'm currently working on a novel, the project I decided to complete in Egypt. It is about a couple who go through quite a terrible ordeal (do you see how cagey I am being?) after the wife has an affair. As I'm writing, I feel so attached to my protagonist. I feel like what is happening to her, is actually happening to me. I wrote a chapter yesterday about the first phone conversation she has with her daughter after her husband chases her from their home. Through the whole chapter, I was weeping, my shirt was wet with tears. I felt like it was me, that I was banned from my home and my children for a stupid mistake that unfortunately creates a chain reaction of terrible consequences.
Are you ever swept away with your story, lost in such a way that what you're writing becomes more real than what is actually around you? I'd be interested to know.
Saturday, March 27, 2010
A Pre-Dawn Engagement with Mr. Genet
My husband went out to the tree and called the cats. They, uncharacteristically, climbed down from the tree and came running to us. But still the dogs were going mad.
The sun climbed a bit higher and suddenly at the tip top of the tree we saw a long, thick, furry striped tail. I got the binoculars and was surprised to see a little foxy face clothed in a beautiful spotted coat. We had a genet in our garden! The dogs had not been chasing the cats, they were a tag team against the genet!

Here is more about our new guest. I hope tonight he'll have the chance to slip away to safety. Cross fingers- I'll keep you posted.
Friday, March 26, 2010
Botswana Democratic Party Splits
On the weekend the suspended group (dubbed Barata-Phathi) held a meeting deemed illegal by Khama's faction of the party. At that meeting, they decided they would form a new party of their own. In an attempt to stop the splitting of the ruling party, President Khama sent a delegation to the meeting asking Barata Phathi to list their grievances. The list produced was long and a bit pie-in-the-sky including such things as a review of the Constitution and the powers it awards the president of the country, the rejection of the recent recommendations from the task force on moral regeneration, and a demand that the law on declaration of assets for MPs be passed and implemented before the end of the year.
The split of the BDP, if it goes down the middle, could be a good thing for the country. It's important to have a strong, healthy opposition to maintain a strong, healthy democracy. If instead, as I suspect, it takes only the voices of sense in the party, and the bulk of the membership remains firmly behind President Khama, it will do nothing more but confuse the members of the electorate who see things in the country veering in the wrong direction. Who should they vote for- Botswana Congress Party (BCP), the only sensible opposition party, or the new Barata Phathi Party? It will do little more than divide an already divided opposition vote and leave the BDP even more firmly in control.
Why couldn't Ntuane and friends find a home at the BCP? That way the opposition would be strengthened. I think it may be more about positions and power than patriotism. I'm not optimistic that this new move will change anything but it certainly sells newspapers so that's a good thing.
Wednesday, March 24, 2010
The Buzzing in my Head
In a little more than a month I'll be gone to Egypt. The preparations around this seem to fill my mind. I've sent my passport for the visa and have bought the ticket. The book I want to write there has been troubling me, so in a move to get a handle on the situation I have started the rough draft. I'm writing like a fiend, 5000-8000 words per day on the rough draft. The story is forcing its way out. It is rough and will need work, but I feel better getting out. This is helping to ease the mind noise a bit, but anticipation of the trip and what I'll find there is creating a loud noise so this small alleviation is hardly noticed.
I've been paid the first of my two big royalty cheques. It was for two short story collections prescribed for primary schools in Botswana. I co-wrote the books with two other Batswana writers. I hesitate to write the amount of the cheque, but as a service to writers who live here and are curious about such things I will do it- it was P84,000 and some change, this is in the middle of the credit crunch mind you. We had negotiated a non-royalty deducted advance paid out upon delivery of the manuscripts. I recently read a news article in The Daily News from a Setswana writer who had a book prescribed (poetry) who complained about the small amount of money he received from his book as compared to the publisher. I think his complaints were disingenuous and smack of inexperience and naivete in the publishing industry. I was more than happy with that cheque and the deal we made with the publisher.
Some of the noise in my mind is caused by the hype developing around the television series I co-wrote for PSI called Morwalela. It will soon be shown on Botswana Television (BTV) and I'm anxious to see how it will go. Combined with this is my column that will be starting the first week of April. And then there is the first romance which will be coming on in a few weeks.
Buzz, buzz, buzz- how can a writer work with all of this noise?
Monday, March 22, 2010
Support Words Etc.

Wednesday, March 17, 2010
The Bed Book of Short Stories

I was honoured to be asked to help compile a collection of short stories around the theme of bed -and now the book is ready for pre-orders! It has a fantastic collection of writers including flash fiction star Liesl Jobson; author of the hilarious book Exhibit A, Sarah Lotz; and our new up and coming short story writer Gothataone Moeng, among many other fabulous, talented writers. See the list here.
Modjaji Books is one of the publishers attending this year's London Book Fair which is having a South African focus. In celebration of this upcoming event, they are having a sale on their new titles, including the Bed Book.
Support a very special publisher.
Yeah for Modjaji!!
Monday, March 15, 2010
My New Column!!
I put together a proposal and sent it out to Mmegi, Midweek Sun and Guardian and waited. And waited. Yes, they were interested but "these things take time". And waited yet again. In the meanwhile thanks to Facebook I met Beata Kasale, one of the owners of The Voice newspaper. I first met her in cyberspace and then in real life. I found her so interesting and we hit it off straight away. Though at first I didn't think The Voice was the right paper for such a column, I liked Beata so much and she was so enthusiastic about my idea ,I changed my mind. Now after a meeting last week and more thought I think The Voice is going to be a perfect home. It is the most read paper in the country and the whole point of the column is to get the information out there. The plan is to talk about publishing and how to go about it, but also to include snippets of publishing and book news. The column will start the first week of April.
Wednesday, March 10, 2010
Celebrate Read an eBook Week by Buying 100 Stories for Haiti

Monday, March 8, 2010
International Women's Day
I remember being a little girl and thinking how I'd hate to be a boy because everything was so limiting. Girls could wear dresses and trousers, while boys were trapped in trousers forever. Girls could cry but also fight. I was lucky because I was born when it was no longer acceptable to stop a girl from being anything she wanted to be. In the chaotic world of my childhood, growing up and getting married just didn't seem like a sensible plan for a life. Far too fragile and prone to wild emotions, so I was never the little girl dreaming of a white wedding and an even whiter picket fence. I wanted something a bit sturdier and in a more sensible colour.
I know my freedom of choice was won from the wars fought by the women who went before me, and I am forever thankful for that.
In Botswana, women are in a fairly good position as long as they have an income. Poor women here, like poor women everywhere, are vulnerable. They get in relationships with men and become trapped because of economics. Once trapped they are vulnerable to violence and other forms of domestic abuse. They are also unable to negotiate things such as condom use making them more likely to contract HIV/AIDS.
In Botswana, abortion is illegal. Women are forced to go to unhygienic and untrained abortionists and, if they are found out, they are taken to prison. The prisons are full of women who had no choice. Again this burden falls on poor women. Women with money can go over the border to South Africa where abortion is legal and can be done in a clinic or hospital.
It is shocking how the issue is rarely discussed in the country. The missionaries were highly successful in Botswana and Christianity is rampant and nearly mandatorily assumed. As a long time member of Emang Basadi (a women's' rights NGO), I've been in discussions with some of the leading women's rights activists in this country and when abortion is brought up even they are vehemently against it. This saddens me.
Today as we think about the progress women have made, we should know too that the work continues. Until all women have unlimited choices, free of constraint of any kind, the struggle must continue.
Wednesday, March 3, 2010
My Lovely New Tea Set!!! (Yes- it needs 3 exclamation points)



**************************************************And here, having nothing at all to do with tea sets or gifts, except that I found this photo in my camera when I was downloading the tea set pics, are the cats busy at their day job.
Monday, March 1, 2010
It's a Blogsplash with Thaw!!
Ruth's first entry is below, and you can continue reading tomorrow here.
These hands are ninety-three years old. They belong to Charlotte Marie Bradley Miller. She was so frail that her grand-daughter had to carry her onto the set to take this photo. It’s a close-up. Her emaciated arms emerge from the top corners of the photo and the background is black, maybe velvet, as if we’re being protected from seeing the strings. One wrist rests on the other, and her fingers hang loose, close together, a pair of folded wings. And you can see her insides.
The bones of her knuckles bulge out of the skin, which sags like plastic that has melted in the sun and is dripping off her, wrinkling and folding. Her veins look as though they’re stuck to the outside of her hands. They’re a colour that’s difficult to describe: blue, but also silver, green; her blood runs through them, close to the surface. The book says she died shortly after they took this picture. Did she even get to see it? Maybe it was the last beautiful thing she left in the world.
I’m trying to decide whether or not I want to carry on living. I’m giving myself three months of this journal to decide. You might think that sounds melodramatic, but I don’t think I’m alone in wondering whether it’s all worth it. I’ve seen the look in people’s eyes. Stiff suits travelling to work, morning after morning, on the cramped and humid tube. Tarted-up girls and gangs of boys reeking of aftershave, reeling on the pavements on a Friday night, trying to mop up the dreariness of their week with one desperate, fake-happy night. I’ve heard the weary grief in my dad’s voice.
So where do I start with all this? What do you want to know about me? I’m Ruth White, thirty-two years old, going on a hundred. I live alone with no boyfriend and no cat in a tiny flat in central London. In fact, I had a non-relationship with a man at work, Dan, for seven years. I’m sitting in my bedroom-cum-living room right now, looking up every so often at the thin rain slanting across a flat grey sky. I work in a city hospital lab as a microbiologist. My dad is an accountant and lives with his sensible second wife Julie, in a sensible second home. Mother finished dying when I was fourteen, three years after her first diagnosis. What else? What else is there?
Charlotte Marie Bradley Miller. I looked at her hands for twelve minutes. It was odd describing what I was seeing in words. Usually the picture just sits inside my head and I swish it around like tasting wine. I have huge books all over my flat; books you have to take in both hands to lift. I’ve had the photo habit for years. Mother bought me my first book, black and white landscapes by Ansel Adams. When she got really ill, I used to take it to bed with me and look at it for hours, concentrating on the huge trees, the still water, the never-ending skies. I suppose it helped me think about something other than what was happening. I learned to focus on one photo at a time rather than flicking from scene to scene in search of something to hold me. If I concentrate, then everything stands still. Although I use them to escape the world, I also think they bring me closer to it. I’ve still got that book. When I take it out, I handle the pages as though they might flake into dust.
Mother used to write a journal. When I was small, I sat by her bed in the early mornings on a hard chair and looked at her face as her pen spat out sentences in short bursts. I imagined what she might have been writing about; princesses dressed in star-patterned silk, talking horses, adventures with pirates. More likely she was writing about what she was going to cook for dinner and how irritating Dad’s snoring was.
I’ve always wanted to write my own journal, and this is my chance. Maybe my last chance. The idea is that every night for three months, I’ll take one of these heavy sheets of pure white paper, rough under my fingertips, and fill it up on both sides. If my suicide note is nearly a hundred pages long, then no-one can accuse me of not thinking it through. No-one can say; ‘It makes no sense; she was a polite, cheerful girl, had everything to live for’, before adding that I did keep myself to myself. It’ll all be here. I’m using a silver fountain pen with purple ink. A bit flamboyant for me, I know. I need these idiosyncratic rituals; they hold things in place. Like the way I make tea, squeezing the tea-bag three times, the exact amount of milk, seven stirs. My writing is small and neat; I’m striping the paper. I’m near the bottom of the page now. Only ninety-one more days to go before I’m allowed to make my decision. That’s it for today. It’s begun.
Friday, February 26, 2010
10+ Rules for Writing Fiction- kind of
Not to be left out, Blogger Tom Howard also came up with a list of 10 Rules for Writing Fiction. Here's a couple from Mr. Howard:
2. Writing in blood will add a much-needed touch of sickening horror to your work; it will also indicate to publishers that you mean business.
6. Never open a book with the weather. Use your fingers instead.
I thought it was time TfB got into the spirit and tried to come up with our own 10 Rules for Writing Fiction. I'll start us out.
1. Despite advice from the misguided, adverbs add colour. Where would the world be without bumpily, answerably, and remedially? How would you write the sentence- "I bumped along bumpily" without such lovely words?
2. Avoid characters that bite. If you're writing a novel, it might take years to finish. Try to get the cost of band-aids written into the contract. It adds up.
3. Settings waste time. Never mention them.
4. When writing, three things are mandatory: a cat to walk across the keyboard and delete the most perfect sentence you've ever written, chocolate in amounts that should not be revealed in polite company, and a connection to Facebook where you can brag about the fact that you are procrastinating.
5. Get a door. A big heavy one. With a lock. Preferably one that closes you inside of a room.
Okay- that's my contribution. Whatda ya got?
Wednesday, February 24, 2010
Our Morning Walk
Monday, February 22, 2010
Critiquing Other People's Work
I know two things: 1) No writer is perfect. 2) No writer likes criticism. Both of these do make critiquing other writers' work difficult, but what are we to do? We can't see our own work clearly. We must ask for some one's eyes and, at least for me, I find the best eyes are writers' eyes.
This is my take on critiquing: if someone asks me, I do my best. I take my time and point out everything. I do this because I feel I agreed to give it a look. I shouldn't do that unless I care about that writer and their writing. If I care about the writing, I want it to be the best that it can be. I'm definitely not the know all for what good writing is, I only know what I think works. I always qualify my comments at the beginning by saying it is my opinion, take it or leave it. I know reading criticism is difficult, but we must accept it as part of our job description as writers. If I send a critique that says something like- "Oh that was a nice story"- beware, it means I don't care about your writing enough to give you a passage to improve it.
I should say though, I would never take book reviews and comments at Amazon as criticism that would direct my writing. Those are something different. I'm talking about proper criticism from another writer or someone with interest in my writing's success.
I understand my writing friend's angst and I've made a promise not to ask her to critique my work again, but it has got me wondering- is it okay to just write the best piece of writing that you can and send it off to the publisher without fresh eyes to see it?
I know all writing advice says no, but I'm currently down to zero people who I trust enough to give me honest advice. I had a terrible experience with an online writing group and will never do that again, and where I live there is no one I can work with in person. Also I write across so many genres few want to follow me there.
And what about critiquing? Must all writers do it? Some people believe it is mandatory for a writer to critique others so they can understand their own writing better. What do you think? I'd be interested to know.
Friday, February 19, 2010
Louis Nchindo-R.I.P.
Louis Nchindo was the managing director of Debswana, the 50-50 partnership between diamond giant DeBeers and the government of Botswana. Nchindo was to face 36 charges of corruption in a case set to begin in April. Many of the charges stemmed from the time he was the head of Debswana while others involve a land deal; the land deal mishaps also have his son's name on the charge sheet. A few weeks ago, it came out in the press that our second president, President Masire, received loans from Debeers while Nchindo was at the helm and that the ruling party, Botswana Democratic Party (BDP) had also received money from the diamond miners.
Shortly after this our third president, President Mogae, went public with revelations that Nchindo threatened to reveal secrets about him, including details about his girlfriend, if the corruption charges were not dropped. President Mogae did not report this alleged attempt at blackmailing to the police but apparently told Nchindo that no charges would be dropped.
Last week everything came to the dramatic climax when Nchindo's family reported him missing. By Thursday morning rumours were being passed through cellphones and on the internet that Nchindo was found dead in the bush, his body half eaten by animals. Even on Friday, police in the country refused to admit that Nchindo was dead though international sources were reporting that fact. In the end, the facts were Nchindo was found in the bush dead. His body eaten by animals, only his torso intact. Quick-quick the body was apparently identified by forensic scientists to be Nchindo's, and he was cremated.
Here are the three obvious options:
1. He could take no more and committed suicide.
Unlikely given his abundant resources and legendary arrogance.
2. Someone killed him.
He had a lot of information on a lot of powerful people and a court case could get very messy.
3. The dead person is not Nchindo and Nchindo has skipped the country.
At least in the Facebook groups and conversations I've been part of this is the most widely held belief among Batswana.
So that's where we are. But, too, this is Botswana. What do I think? In a few weeks people will forget all about it and the case will disappear. Budding Batswana novelists should take notes; I see a blockbuster in the making.
Wednesday, February 17, 2010
Time to Accept the Inevitable
But Agin warns-It's tragic because when an industry dies because of corporate blindness, people do get hurt. When the automobile put the horse and carriage trade out of business, blacksmiths and carriage makers became irrelevant overnight. But before that happened people were up to their eyeballs in media baloney that the automobile was only a fad.
As writers we need to look at the situation clearly using our business brains. How do we get the best possible position in this new game? Already there are many pluses. To start with- 50% (and sometimes more) royalties on ebooks. Having to pay publicists, for sure, and agents, perhaps, from your slice of the pie may fall away too. As writers we will have much more control over sales. If we have a blog or website, which most of us do, we can set up a bookstore in minutes. There will be no more worrying if your book is shelved cover out or spine out or if it has made it into the storefront window. Blog book tours will be the norm rather than the exception.
It is time to let go and accept the future. For writers, at least from my perspective, things are looking pretty bright.
Monday, February 15, 2010
Bad Bad Blogger
The other bit that is filling my mind right now is a job. My husband is currently living about 200 km from me in the capitol city of Gaborone attending university. He doesn't like living alone. Also the government pays him his full salary for the first year of school, but for the second and third year he goes on half salary. We can survive on that, but my writing income is not always as steady as I would like it to be so some months it could be tight. So on the weekend there was a good job in the paper for a publishing manager in Gaborone. He wanted me to apply so I could go and stay with him in Gaborone. I've done it, but I'm not sure I want the job.
I have been a full time writer now for about three years and before that I owned my own business for ten years so it's been a long time since I was an employee. And I'm not really someone who can do things halfway. I can't say I'll take the job and write too. If I take the job I intend to give them my time. So it will be two years of very little writing. I've just really started building up solid relationships with my publishers and I am fearful this could back track my good work so far.
At the same time my husband has been my biggest supporter in every way. Perhaps it's time I give a bit back. It's all keeping my head spinning. In any case, I've only sent my CV; they may not even call me for an interview and then they may meet me and see I'm not what they want. I'm trying not to worry about anything. Trying to wait for the bridges to appear before I see how I'm going to get across. But I can't help feeling a bit sad about it all.
Monday, February 8, 2010
Good Writing
People who know me and my writing know that I am a composite just as my writing is. I am in introvert who talks too much in public. I love to exercise and get out and active, but I will eat a piece of cake before an orange on any day of the week. I read Victoria Holt and I love Kazuo Ishiguro. I love Sue Townsend and all of the Spud books and I get weak in the knees knowing there is a new Margaret Atwood out and about and I do not own it. My writing is just like that. Just like I hate to be put in a box in my life, in my reading, and I hate to be put in a box with my writing. I write for children. I write romance. I attempt to write literary. I write detective and sometimes even write ghost stories. I write exactly what I feel like writing. I try to do the best I’m able to with each.
But is good or bad writing defined by style? Can people who love literary fiction look at genre and say that it is good writing? Or will people who write literary fiction always see genre as weak writing, as bad writing? Writing for genre is all about plot. It is storytelling. Literary is about an exploration of character; plot is what happens, but of far less importance except for where it moves the character. Of course, occasionally they cross. I don’t see one better than the other- I love them both.
I guess my point is – is there a definition of good writing or is it fluid and subjective? What do you think?
Friday, February 5, 2010
Uganda, Homosexuality, and the Rest of Africa
Time has passed and things have changed. President Museveni has gone from being the saviour of Uganda to being the chain around its neck. His iron grip on power is killing a country that has had more than its share of suffering. Now thanks to influence from an American Christian cult, The Fellowship, he is attempting to get a bill passed that could give homosexuals the death penalty for loving each other.
One thing you can say about Christians, when it comes to Africa, they have some serious staying power. The seeds they planted have taken root and grown filling the entire space. There is a passion and vehemence about African Christian churches that I've not seen in other places. Perhaps it is some amalgamation of traditional religion with the teachings of Christianity, I don't know. It's funny how the typical response of Africans who are against homosexuality is that it is an imported concept, some Westernised activity imposed on Africans. I wonder why they never see the same thing can be said about Christianity.
The fear now is that Museveni's vehemence against gays will spread. Already a Malawian gay couple who married were arrested in December. Mugabe has not been quiet about his views on gays. Even here in Botswana it is illegal to be gay though no one has been arrested. The non-governmental organisation Lesbians, Gays and Bisexuals of Botswana (LEGABIBO) is unable to operate properly in the country as it is unable to be registered, as such there is no organised way for gays to fight against the unfair and out-of-date legislation.
I sometimes can't quite feel a problem that is far from me, that I have no personal connection to. So when I hear about the terrible, stupid, preventable shortage of food that Zimbabweans will have in the coming months, for example, I don't let the words flow in and out of me. I stop them along the way and think of people I know in Zimbabwe- personally- people who will miss meals to feed their hungry children. Only then does the impact of what is happening find its true space in me.
In 2007 Ugandan Monica Arac de Nyeko won the Caine Prize for her story Jambula Tree about the two girls Anyango and Sanyu and the forbidden love that they had for each other. It was a painful story to read and it stuck with me. Characters tend to live on in my mind, in some sort of semi-real state. And as I watched Museveni joking on the TV about how overseas leaders were calling him and tell him sending gays to the gallows was not a good move diplomatically, I thought of Anyango and Sanyu.
In this world, where hate is everywhere, how does one's thoughts get so mixed up so as to get to a position where love is wrong? I don't believe Jesus or God would be on Museveni's side; if they are I don't think I can follow along behind them.














