In my case, I chose writing a piece where each sentence must have a number in it. I've realised that doing this does indeed improve the quality of the sentences. It was a great exercise and I'm planning to use this when I begin my next longer work of fiction, mostly because in longer works the space actually removes constraint and, at least for me, leads to flabbier sentences.
Below is my piece: Five Blankets.
***
Five Blankets
He murdered a man at
twenty-four. In the prison where they sent him, he shared one big room with
tiny windows high up near the ceiling that let in no breeze on forty degree
days. Seventy men can make a mighty smell, he realised, a solid, alive smell
that moved around and slapped you every now and then, reminding you about the
seriousness of the situation. Though he was a murderer he had two non-murderer
traits: a soft heart and the inability to identify evil.
That
first night, he was given five blankets and told to find a space on the floor.
Blanket number one, he rolled into a pillow. Blanket number two and three he
folded into thirds and used as a mattress against the hard, concrete floor. He
covered himself with blanket number four. Blanket number five he rolled up and
lay next to him. The first night he pretended it was his long ago girlfriend,
the girl who lived next door to them when he was ten, Carmela; Carmela made the
night shorter. The second night, blanket number five was the woman he left
behind when the prison doors shut behind him, the woman he’d murdered for; she
promised good would prevail despite all evidence to the contrary.
On the third night, when
everything became too real no matter how he twisted his mind, when seven men
promised they’d “get him” before the week finished, when the bed bugs and the
heat and the prison guards high with their small power picked and poked him
until ignoring was not an option, blanket number five became his mother. He became her little boy, her three year old
boy afraid of the monster rattling under the bed. His mother hugged him and all seventy men
disappeared in the fierce light of her love.
His mother stayed with him
until day thirty-two when Prisoner 538 tried to steal the rolled up blanket
lying next to him. He couldn’t allow that, and with four blows and a kick, he
murdered his second man, again in defence of the ones he loved.
3 comments:
I love this Lauri,wish there was more
I like this exercise because I feel that on one level you could write it following the instruction to include a number in each line and then upon revision work to do away with the/some/most numbers but retain the images (lots of rephrasing I suspect) that the numbers helped 'generate' in a very specific manner. Thanks will steal it :) for my students.
I've actually gone further in a recent story and tried the number of words in the sentence. I wrote a story where there are six sentences in each paragraph, the first is a one word sentence, the second two words, the third three words etc. I'm falling in love with this sort of discipline. I'm curious though in longer works, if you say restrict to six word sentences, if it will change the nature of the prose. I'd be curious to see.
The restriction alone though does improve my sentences and that's important. I'm investigating how to impose invisible restriction on myself at the sentence level for that reason.
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